Even if people are willing to pay for digital performances, are they willing to pay enough? Robin Cantrill Fenwick examines the data emerging from the pandemic’s rush to digitise, and where the income opportunities lie.
Even if people are willing to pay for digital performances, are they willing to pay enough? Robin Cantrill Fenwick examines the data emerging from the pandemic’s rush to digitise, and where the income opportunities lie.
Predicting what might happen in the future is difficult at the best of times but facing the beginning of the end of the Covid-19 pandemic, you could be forgiven for dismissing any attempt to say what the future might hold.
Baker Richards’ Deputy CEO David Reece says forecasts, when created effectively, can be invaluable.
Indigo’s After The Interval sentiment tracker survey has reached over 130,000 regular cultural attenders in the UK, and to date […]
Based on our analysis over the years, we’ve put together a simple segmentation model that anyone can adopt and use […]
The Melbourne Symphony Orchestra used advanced conjoint analysis to inform their 2021 planning
The UK government have announced cut to the VAT rate, we take a look at when and whether to pass this saving on to consumers.
As we emerge from the chaos of the pandemic let’s focus on where we want to go, but remember there’s […]
Socially distanced seating is a subject of much debate in the performing arts industry. Many find the effect on income […]
Socially distanced seating is a subject of much debate in the performing arts industry. Many find the effect on income […]
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